REVIEWER COMMENTSSet against the backdrop of the last days of the Raj, Desai’s novel is a story of family conflict and skeletons in the cupboard. Secrets jostle against secrets and the [family’s pet] tiger cub grows as dangerous as the British Raj became for India. Both have tasted blood and both demand more. However, more dangerous than both the Raj and the tiger is another, older secret that lies at the heart of the Sanjana family. In his elaborate style, Desai spins a fascinating story of Parsi bloodlines, romance and intrigue, counter pointed by the events that made World War II such a watershed in the history of both India and the world. Anjana Basu, "Tigers in the Cupboard," Harmony Magazine Boman Desai's fifth novel, SERVANT, MASTER, MISTRESS, is a worthy successor to his A WOMAN MADLY IN LOVE. The language has the same drive and passion as his other books. At the same time, it is light, airy and beguiles us into the pages with a frothy dance. It is a sad observation that good authors like Boman Desai lose out on official recognition like awards simply because they do not rub their Indian-ness evangelistically into our faces. "Thumbs Up," THE AFTERNOON DESPATCH AND COURIER, March 12, 2007 Boman Desai casts a spell as he inveigles us into the world of the Sanjanas. He has already created a gallery of vivid women characters who continue to people our imagination long after we have closed his novels. To this gallery he adds another memorable and passionately etched character in Dolly Dalal. The novel begins with the murder of Dolly’s mother by a servant, and the manner in which servants take revenge on masters and mistresses seems to reflect the relationship between the Indians and British. The structure of the novel is fascinating, the entire story wrapped around a single breakfast which takes place at the Sanjana residence in Navsari [during which the family’s pet] tiger cub gets its first taste of human blood. Firdaus Gandavia, "The Day of the Tiger," Parsiana, March 7, 2006 Desai’s ability to be engaging in scenes of interaction between people, mostly between men and women, mostly between prospective lovers [is captivating]. The dialogues represent without effort the dialect of the tribe – Parsi, Indian, English, and Anglo – in question. C. P. Surendran, "Disagreeable Daisy?" Tehelka, January 21, 2006 |
Servant, Master, Mistress
SERVANT, MASTER, MISTRESS (a summary) The Sanjanas are at breakfast in the compound of their bungalow, Truth, in the town of Navsari, a few hours north of Bombay by train. The matriarch, Dolly Sanjana, prickles at the sight of her sons, Sohrab and Rustom, bickering over Sohrab’s English wife, Daisy. Sohrab is the son of her marriage to Kavas Sanjana (now long dead), Rustom the son of her marriage to Savak Sanjana (younger brother of her first husband). Dolly fears the rivalry between her sons may erupt in a violence as did the rivalry between the brothers she married in succession. Adding to the tension is a servant, Alphonse Fernandez, watching from a window, blackmailing Daisy regarding a secret they share – and a tiger cub the family had adopted, planning to surrender the adult to a zoo, but the trouble begins when the cub, now an adolescent, gets its first taste of blood from a cut on Sohrab Sanjana’s finger. This scene, spanning the length of the novel, provides the lynchpin for the individual stories of the protagonists: (1) Dolly’s progress from rural Navsari to cosmopolitan Bombay, her courtship by the brothers, Kavas and Savak, setting the foundation for the conflagration that erupts between them; (2) the childhood of Sohrab and Rustom in Bombay, providing the root of their disdain for Alphonse as much as their rivalry and anglophilia; (3) Daisy’s beginnings in London’s Clerkenwell district, her romance with Basil Ballard whom she follows mistakenly to Bombay, arriving the day before World War II closes the seaways behind her; and (4) Savak’s experiences during the Kut-al-amara campaign of World War I in Mesopotamia The story spans the years from 1910 to 1945, encompassing scenes in which the “spirituality” of a yogi is exposed by a monkey, a ten-year-old English girl seduces an eight-year-old Indian boy, a suffragette dies following the example of Gandhi’s salt march, an English communist vanishes into Stalin’s Soviet Union, and themes of race and class are explored through the relationships between England and India, man and beast, colonizer and colonized, rich and poor, master and servant. |
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